Best overall		Sony RX100 VII		SEE IT	This compact camera offers a versatile lens, 1-inch sensor, and superb autofocus abilities.
Best for street photography		Ricoh GR III		SEE IT	The Ricoh GR III offers a unique zone focus system for capturing decisive moments.
Best budget		Panasonic LUMIX ZS100		SEE IT	The Panasonic LUMIX ZS100 has an impressive zoom range at a budget price.

Compact cameras aren’t just for beginners anymore. In recent years, camera manufacturers have really stepped up the quality and build of the pocket-sized devices that they are selling. These days, many compact cameras feature large sensors, fast lenses, and excellent autofocus that will help you capture the world in a way that your smartphone can’t. Quite a few even have stellar video chops as well, pulling down high-res footage with impressive bit rates. Whether you are just getting started with photography or are a seasoned pro, the best compact cameras have a way of bringing joy to picture-making. 

• Best overall: Sony RX100 VII
• Best for street photography: Ricoh GR III
• Best for vloggers: Sony ZV-1 II
• Best high-end: Leica Q2 Monochrom
• Best budget: Panasonic Lumix DMC-ZS100

How we chose the best compact cameras

When selecting cameras for this guide, we considered sensor size, autofocus capabilities, and a variety of use cases for each camera. When making our selections, we also considered prices, while it’s not unusual for high-end compact cameras to cost over a thousand dollars, it was important to include a few lower-priced items that would appeal to beginning photographers. 

Our final consideration when making our selections for this guide was that we were picking cameras that we have actually shot with or reviewed before.

The best compact cameras: Reviews & recommendations

Compact cameras are great tools for capturing everything from travel and street photography to candid family moments. These small image-making devices are easy to keep on hand, so you don’t miss the shot. Here are our favorite compact cameras for a range of situations and users.

Best overall: Sony RX100 VII

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Why it made the cut: The RX100 VII has a massive one-inch sensor for its extremely compact size, which means it can produce images that your smartphone won’t be able to compete with. 

Specs

• Resolution: 20.1 megapixels
• Sensor size: 1-inch
• Lens: 9 to 72mm (35mm equivalent: 24 to 200mm)
• Image stabilization: Digital, optical in integrated lens
• Memory card slots: Single slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
• Weight: 10.65 ounces
• Dimensions: 4 x 2.29 x 1.69 inches

Pros 

• Large 1-inch CMOS sensor
• Solid zoom capabilities
• Excellent autofocus and subject tracking
• Shoots 4K video and has a built-in mic input

Cons

• Expensive

The RX100 VII is one of the best compact cameras on the market. It has a versatile zoom range and a fairly fast lens, but the stacked 1-inch CMOS sensor elevates this compact camera to the next level. 

Sony’s excellent autofocus system, the flip-up touchscreen LCD, and the clever pop-up OLED viewfinder are also big selling points. You can shoot up to 20fps without blackouts in burst mode. It can shoot oversampled 4K video and includes a built-in mic input, so whatever you are shooting will look and sound great. 

Sure, it’s pricey, but ultimately, a lot of these features used to only be found in expensive, top-of-the-line cameras aimed at sports photographers—having the ability to shoot so fast with AF tracking is pretty remarkable.

Best for street photography: Ricoh GR III

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Why it made the cut: The Ricoh GR III offers a 24.2-megapixel sensor with a fast 28mm lens in a highly compact body. Plus, the Snap Focus system helps you get the shot with fast-moving moments on the street.

Specs

• Resolution: 24.2 megapixels
• Sensor size: APS-C
• Lens: 18.3mm (35mm equivalent: 28mm)
• Image stabilization: Sensor-shift, 3-axis
• Memory card slots: Single slot: SD/SDHC/SDXC
• Weight: 9.07 ounces
• Dimensions: 4.3 x 2.4 x 1.3 inches

Pros 

• Large APS-C sensor
• Fast f/2.8 lens
• Built-in ND filter
• Easy controls

Cons

• Battery life isn’t great
• Viewfinder is a separate purchase

The lightweight Ricoh GR III is a street photographer’s dream compact camera. Weighing just over nine ounces, it’s small enough to easily fit in your pocket and not notice it there. Ricoh built the camera around a 24.2-megapixel APS-C sensor, which results in sharp, attractive DNG stills. It supports in-camera raw editing and wireless connection to a smartphone to speed up sharing.

One thing that sets the GR III out in terms of street photography is the Snap Focus system. This feature allows you to automatically jump to a specified focus distance when fully pressing the shutter button. That zone-focusing method is ideal for quickly capturing decisive moments during street photography shoots.

The lens on the Ricoh GR III is a 28mm equivalent with a fast f/2.8 maximum aperture. It can focus as close as 3.9 inches. Or you can turn on the dedicated macro setting and focus from 2.4 to 4.7 inches. A built-in neutral density (ND) filter helps with shooting on bright days when you still want a slow shutter speed or wide aperture. The nine-blade aperture allows for smooth bokeh. When you are working with slower shutter speeds, the three-axis Shake Reduction System helps obtain sharp images even when shooting handheld.

Should you want a tighter focal length for street photography outings, the Ricoh GR IIIx is essentially the same camera but with a 40mm equivalent lens.

Best for vloggers: Sony ZV-1 II

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Why it made the cut: This is the best compact camera for vloggers because it was designed with vloggers in mind—if video content is your thing, you can’t go wrong with the ZV-1 II.

Specs

• Resolution: 20.1 megapixels
• Sensor size: 1-inch
• Lens: 6.9 to 17.6mm (35mm equivalent: 18 to 50mm)
• Image stabilization: Digital (video only)
• Memory card slots: Single slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
• Weight: 10.3 ounces
• Dimensions: 4.15 x 2.4 x 1.84 inches

Pros 

• Directional 3 capsule microphone for easy audio capture
• Supports HLG and S-Log2/3 for color grading
• Real-time Eye AF

Cons

• No viewfinder

Sony specifically designed the ZV-1 II for vlogging, but it’s a great tool for shooting stills as well. It uses the same stacked one-inch sensor found inside the RX100 but ditches the viewfinder for a directional three-capsule mic for capturing quality audio. 

The camera offers a flip-out touchscreen and can shoot 4K video at 30p and Full HD up to 120 fps. A giant record button can be found on the top of the camera for extremely easy operation. The 18 to 50mm equivalent zoom lens is extremely versatile, allowing you to record yourself or larger groups as well as tighter shots.

The autofocus is fast, real-time Eye AF is supported, and a background de-focus function lets you blur out backgrounds in a shot by simply pressing one button. Additionally, it has a product showcase mode, which is handy for bloggers who want to keep the focus on the products they’re displaying, even if their face comes into the frame.

Best high-end: Leica Q2 Monochrom

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Why it made the cut: It’s a unique but beautiful camera that takes stunning black-and-white images.

Specs

• Resolution: 47.3 megapixels
• Sensor size: Full-frame
• Lens: 28mm
• Image stabilization: Optical in integrated lens
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.6 pounds
• Dimensions: 5.1 x 3.1 x 3.6 inches

Pros

• Excellent low-light performance
• Attractive body design
• Excellent viewfinder

Cons

• Expensive
• Only takes black-and-white images

The Leica Q2 Monochrom isn’t for everyone, that’s for sure. After all, it’s a compact digital camera that only takes black-and-white images. And it has a classic Leica price tag. But it’s a stunning body that creates stunning images. The full-frame 47.3-megapixel sensor produces truly beautiful image quality. It also has excellent low-light performance with limited noise, even at higher ISOs.

The camera is fitted with a 28mm lens and is nice and compact, making it very travel-friendly. It can shoot 4K video and has reliable and accurate autofocus. It may look like an old-school film camera, and it acts like it in that it only shoots monochrome, but inside is some impressive tech.

If you like the Q2 in every way other than the black-and-white aspect, Leica also makes a Q2 that shoots color.

Best budget: Panasonic Lumix DMC-ZS100

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Why it made the cut: The Panasonic Lumix DMC-ZS100 is the best budget compact camera because it’s a camera with an impressive zoom capability at a bargain price.

Specs

• Resolution: 20.1 megapixels
• Sensor size: 1-inch
• Lens: 9.1 to 91mm (35mm equivalent: 25 to 250mm)
• Image stabilization: Optical in integrated lens, sensor-shift, 5-axis
• Memory card slots: Single slot: SD/SDHC/SDXC
• Weight: 11.01 ounces
• Dimensions: 4.4 x 2.5 x 1.7 inches

Pros 

• Extensive zoom capabilities
• 4K photo mode lets you create stills for 4K videos
• f/2.8-5.9 Leica DC lens

Cons

• No articulating touchscreen

Though there is a newer version of this camera–the Panasonic Lumix ZS200–this older model still is very capable and will save you a bit of money. This compact zoom camera is built around a 20mp 1-inch sensor and has an f/2.8-5.9 25-250mm equivalent lens. 

It can shoot 4K/UHD video at 30p and 24p, has a mode called 4K photos that lets you create jpegs from 4K videos, and Depth from Defocus autofocus tech. It shoots 10fps continuously or 5pf with autofocus. 

There is a 3-inch fixed touchscreen, a 1.04m-dot EVF, and built-in WiFi for easy sharing. Although it lacks some of the more advanced features found in other cameras in this guide, you simply can’t beat the price.

Things to consider when buying the best compact cameras

A high-quality compact camera is something that professional shooters enjoy just as much as beginners. But before you buy the most expensive, highest megapixel camera on the market, it’s important to do some research. 

The most important thing to consider when selecting the best compact camera is how you will be using it, where you will be taking it and what you intend to shoot with it.

Zoom range

If you are planning to take it on vacation with you or use it to capture fun, candid moments of your family, something with a decent zoom range will probably fit the bill. If you are more interested in street photography and lifestyle photography, a camera with a fast fixed lens might be more your speed. 

Some compact cameras offer lots of zoom, up to 20x or more. That extra reach comes at a cost, though. More glass typically translates into a bigger camera. And shooting at max zoom can be tricky since the lens aperture typically slows down on the long end. Even if the aperture isn’t a problem, holding it steady enough can be tricky. 

Fixed lenses typically offer faster apertures and enable larger sensors inside the camera. Of course, that means you lose any zoom capabilities.

Manual controls

Professionals and advanced amateurs will appreciate cameras that give them manual control, while a newer shooter might enjoy something with more full-auto settings and innovative touchscreen control. If you are planning to shoot mostly video with your compact camera, look for something that has the ability to plug in a microphone and doesn’t limit recording capabilities. 

While some compact cameras offer manual controls, they may require you to access those settings through menus because they don’t have the physical dials or buttons required to enable quick manual control.

Price

Ultimately price is a big thing to consider as well. A compact camera with a large sensor, fast shooting capabilities, and a nice lens will cost a lot more than something with a more simplified build.

FAQs

Final thoughts on the best compact cameras

• Best overall: Sony RX100 VII
• Best for street photography: Ricoh GR III
• Best for vloggers: Sony ZV-1 II
• Best high-end: Leica Q2 Monochrom
• Best budget: Panasonic Lumix DMC-ZS100

Ultimately, finding the best compact camera for you has a lot to do with what and where you plan to be shooting. A fixed lens compact might be best for street photography or candid portraits, while something with a long zoom might work better for travel and adventure photography. If video is important, consider a camera with excellent 4K capabilities and no recording limits.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

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Vlogging cameras have become a force in recent years. Just about every major brand has released multiple cameras intended for vlogging use, but most of them follow the same formula and basic design. Canon opted to think outside the box for a new vlogging camera, and the result kicked off its new PowerShot V series of cameras. 

The PowerShot V10 is a pocketable, point-and-shoot-style camera. While it offers some manual video controls, most of the modes are totally automatic. When it comes to still photos, it exclusively offers automatic settings. That, along with the very paired-down menu system, makes it an ideal option for beginner content creators. Canon sent us a camera to test out, and we’ve had the opportunity to shoot around with it for a few months now. Overall we’ve been impressed, especially given the price of the camera.

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Overview: The PowerShot V10 is a tiny video-centric camera with a one-inch sensor, built-in kickstand, integrated 19mm equivalent f/2.8 lens, and a simplified user interface ideal for beginners.

Key specs

• Sensor: 20.9-megapixel 1” CMOS sensor
• Video quality: 4K 30 p video
• Lens: 19mm equivalent f/2.8
• Display: 460,000-Dot 2″ touchscreen LCD
• Minimum focusing distance: 2 inches
• Memory card slot: microSD
• Dimensions: 3.5 x 2.5 x 1.4 inches
• Weight: 7.4 ounces

Pros

• Very tiny and easy to carry around
• Extremely simple to use
• Digital stabilization is highly effective when not using zoom
• Built-in stand 
• Integrated ND filters
• Ultra-wide-angle lens 

Cons

• No raw photos
• Lens gets dirty easily
• A little tricky to hold due to compact size

Canon PowerShot V10 design & handling

The first thing that struck me about the V10 is just how tiny it is. It’s about half the height of the Google Pixel 7a smartphone and roughly twice as thick. While the compact and lightweight size certainly makes it easy to carry around, I found myself wishing it had a little extra length to it. There’s not much room below the lens to actually hold the camera, and there’s no grip of any sort, which makes it a bit tricky to hold, especially without getting a finger in the shot. I have pretty tiny hands, so I could imagine it would be extra challenging for those with larger paws. 

Perhaps the most unique feature found on Canon’s newest vlogging camera is the built-in stand. It folds up into the camera so that it is barely noticeable when not in use. It’s a very sleek feature. You have to fold up the display in order to fold out the kickstand, but then you have a steady camera without needing to remember a separate tripod. It would have been nice to see some rubberized material on it to keep it from sliding on smooth surfaces, but overall it works really well. It also can serve as a handle of sorts to hold onto when filming.

Display & camera

The two-inch touchscreen is paltry compared to the three-inch displays we’re used to on bigger mirrorless cameras, but it has to be in order to fit the compact size of the camera. It flips up all the way to make recording yourself easier. The default brightness is hard to see in bright sunlight, but at full brightness, it is very visible, even on sunny days. 

The front of the camera is dominated by the integrated 19mm equivalent f/2.8 lens. It sticks out from the camera a good amount, with the glass element flush against that protruding bit. As a result, it gets dirty really easily. I almost constantly had fingerprints or some sort of debris on it. And Canon doesn’t include any sort of lens cap or cover, so I’d also be worried about it getting scratched if just thrown in a bag. I would suggest purchasing a microfiber bag and keeping a cleaning cloth on hand as well.

Ports and controls

While the built-in stand is nice, if you are in a situation without a level surface or want more or less height, you’ll want to use a tripod. Luckily Canon included a tripod socket on the bottom of the camera to support that. The bottom is also home to the single microSD card slotThe camera also offers a mini HDMI port and a mic jack. There are two built-in stereo microphones, but you can add an external mic via the mini jack if you want even better sound quality. The integrated battery charges via the USB-C port found on the opposite side of the camera. 

The back of the camera is where you’ll find all the controls for the camera. Canon massively simplified the buttons and menu systems on the V10 compared to its EOS R cameras. It’s a very beginner-friendly design. The front of the camera is home to a large record button smack dab in the middle, which is easy to find and press just by feel.

Using the Canon PowerShot V10

Using the V10 is about as straightforward as it gets. Canon designed the camera to be an easy transition for those moving from smartphones, and indeed, it feels very similar to using a smartphone. The touchscreen provides quick access to the most important settings, such as the ability to change video modes or switch to Auto Photo. You can also access the color filters and digital zoom options right on the touchscreen when in one of the video modes. 

The touchscreen is very responsive. But, because of how small it is, the menu items are pretty squished together. I have small fingers, but I could see selecting individual settings and menu items being a challenge for those with larger hands. Luckily there are not very many menu items to contend with, but it still would have been nice to see a slightly larger font or a UI that is better for such a tiny screen.

Once you have the settings where you want them, it’s as simple as pressing the large record button on the front of the camera. When in video mode, another press ends the recording. It doesn’t require any force to press the button, so you won’t have any jarring movements when starting or stopping. 

Video quality

The video quality from this tiny point-and-shoot is reasonable, at least considering the price. It’s capable of 4K UHD 30p or full HD 60p, which is on par with what many drones or smartphones are capable of these days. It seems likely to get outdated quickly. But the camera is much cheaper than most of the devices that offer the same or better, and it’s plenty of quality for social media applications, which is where most creators who are likely to use this camera will be sharing content.   

Although I didn’t take advantage of these features, The V10 can act as a webcam when connected to a computer. And it supports live streaming through Facebook and YouTube via the Canon Camera Connect app, which is an ideal feature for content creators. 

The V10 features four different recording modes: Auto, Smooth Skin, Movie IS, and Manual. Since this camera is geared towards beginners, I almost exclusively shot in the three auto modes. Overall the exposure looks good, though it tends to shoot slightly overexposed in bright conditions. You can easily adjust this with the exposure compensation setting, however. 

The videos do have a moderate HDR look to them (it’s less than what your smartphone would produce), but it isn’t overpowering. It’s mild enough that there is room to go in and edit footage if you would like to, but they don’t necessarily need it, either. 

Many of the recording settings give a warning about the camera shutting off suddenly because of a rise in internal temperature. I didn’t record anything longer than five minutes or so when using the camera and didn’t have the camera turn off, but I did see a little temperature icon on the screen after a handful of clips back to back when standing in the hot sun.

One of the things that I really like about the V10 is how easy it is to record vertical video. You just need to rotate the camera 90 degrees, and the camera will automatically adjust. There’s no need to go into menus and change settings or crop video in an editing program after the fact. I found it very intuitive—the screen will be vertical when recording vertically—and simple. 

Sound

Canon built the V10 with two stereo mics and a third mic that filters background noise. These mics do a really nice job and result in good sound quality, especially if you are talking while holding the camera. I was impressed by how it handled a very windy day at the beach. The mics picked up my sister’s voice pretty well, even when she wasn’t right next to me. The wind noise was really strong, but you can bring some of that down in editing. And you can buy windshields to attach to the mics, which would help as well. 

Autofocus

There are only two autofocus options on the PowerShot V10: Face tracking AF or Specified frame AF. It’s important to note that there is no eye detection or tracking. I found the autofocus to be okay, but not overly impressive. It did a solid job of finding human faces but would not find my dog’s or cat’s faces. 

When I was recording a single person, I noticed the camera switching focus from the background to the subject far more than I would like or expected. And when I had multiple people in the frame, the camera seemed to want to stick to the person in the background, which was annoying.

Canon specifies that the minimum focus distance is only two inches, but the V10 really struggled with focusing on close objects or subjects when recording video. I got still photos nice and close, but the autofocus when recording video just would not focus on things closer than a foot or so. 

Stabilization modes  

The V10 provides access to Canon’s iMovie Digital Image Stabilization (IS). This is one of the few settings that gets a bit confusing in terms of the user interface. You can select Movie IS Mode from the touchscreen as one of the quick options, but then the individual stabilization modes require you to go into the menus. That’s not the case for the other recording modes, so I found it an odd mismatch. But, once in the menu, you can change Digital IS to off, on, or enhanced. The camera also provides an Auto Level mode, but it cannot be used with Digital IS.

Since it is digital stabilization, it results in a slight crop. That means you won’t get the full wide-angle effect of the lens when using it. If you need that wide perspective, you may want to invest in a gimbal setup. 

The Enhanced IS works really well, provided you’re zoomed out. Without any level of zoom enabled, it smoothed the video out nearly completely when I was recording while walking. It definitely gets the job done. But, when zoomed in, especially all the way, the stabilization just doesn’t cut it. I wouldn’t recommend using the zoom function unless you are on a tripod or on a stable surface. The basic level of stabilization does smooth the video out some, but walking was a bit jittery. It’s passable, especially if you try to walk smoothly, and won’t crop in as much. 

Skin smoothing

Smooth Skin movie is one of the four available recording modes on the PowerShot V10. There are five different levels available. I found the result to be less than impressive in my brief test. Level five resulted in a very obvious blur on my face. Level one was much better, but it definitely isn’t as successful as the filter that your phone likely automatically applies. And when you have Skin smoothing turned on, you can’t also use the digital stabilization, which is unfortunate. 

Photo mode & image quality

Although the V10 is a vlogging camera, it is capable of taking still photos. Unfortunately, the options are extremely limited. It can only take jpeg files, with no raw support. There are four quality options, from 20 megapixels (55472 x 3648) down to 3.8 megapixels (2400 x 1600). And you can change the aspect ratio from 3:2 to 4:3, 16:9, or 1:1. And that is it in terms of options for still images.

Unlike when recording video, photo mode does not provide access to any digital zoom options. So you’re stuck with the ultra-wide-angle lens view. You also won’t get access to the different filters and color profiles that are available when recording video on the V10. And photo mode only supports automatic exposure. I found the camera to tend towards slightly overexposed. That’s rather disappointing since highlights on jpeg files are even less likely to be recovered than raws. Luckily there is an exposure compensation option. That feature was especially helpful in tricky lighting situations like backlighting or sunny days at the beach. But I found myself almost always turning it down to -2 or even -3. 

In terms of image quality, it’s much like you’d expect from a basic point-and-shoot camera or a smartphone. It’s not wow-worthy, but it gets the job done for quick snapshots. Images are well-detailed, and there is a fair amount of dynamic range for jpeg files should you want to edit them. They are very slightly on the dull side in most scenarios—especially when compared to the overprocess results of smartphones. They could benefit from a slight boost in contrast and saturation. But the skin tones are typical of Canon’s cameras, with natural and attractive results. 

Final thoughts on the Canon PowerShot V10

Canon’s V10 is an interesting little camera. It definitely has its fair share of issues, including so-so autofocus, mediocre photo quality, and a lens that gets dirty if you just look at it wrong. But it has quite a few things going for it as well. The sound quality is really excellent, the menu systems are nicely simplified so that it is extremely easy to use, the built-in stand is convenient, and the compact size is great for bringing on trips or keeping in a jacket pocket. The video quality isn’t wow-worthy, but it is a step above many smartphones. 

There are not that many basic point-and-shoot cameras available these days, especially ones that are actually affordable. So the Canon PowerShot V10 offers a nice alternative to more advanced or expensive cameras or simply using your phone. It would be an ideal choice for someone who wants a travel camera that requires zero fuss or for those who are getting into content creation and want something other than their phone. All-in-all, we think it’s a promising device and are excited to see where Canon takes this one in future iterations.

More image examples from the Canon PowerShot V10

The post Hands-on with the Canon PowerShot V10: A compact video-centric camera appeared first on Popular Photography.

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Best mirrorless		Leica Q2		SEE IT	Style and performance at a price.
Best overall		Fujifilm XPro3		SEE IT	Analog styling with a unique viewfinder.
Best compact		Sony RX100 VII		SEE IT	Ultra-compact with an impressive zoom lens.

Street photography is all about thinking on your feet, being discreet, and keeping your eyes open. When it comes to picking the best street photography cameras, you will want something that has quick autofocus, a fast shutter speed, and most importantly, a low profile.

The best street photographers are known for capturing the amusing details of the world around them, so it’s helpful to carry a camera and lens that will draw the least amount of attention—leave the long telephoto at home! The last thing you want to do is alter the scene because a subject realizes you are out there shooting. You’ll also want to look for something lightweight. A big part of street photography is standing around and waiting for those special moments to happen, and you don’t want to wreck your shoulders in the process.

• Best overall: Fujifilm XPro3
• Best upgrade compact: Leica Q2
• Best compact: Sony RX100 VII
• Best fixed-lens digital compact: Ricoh GR IIIx
• Best DSLR: Canon EOS 6D Mark II
• Best rangefinder: Leica M11
• Best budget film compact: Olympus XA2

How we picked the best street photography cameras

When selecting the products featured in this guide, we considered features like autofocus capabilities, camera body design, image quality, and of course, price. 

Although any camera can technically be used for street photography, in our experience it’s best to have something with an understated profile that will allow the photographer to blend into the crowd and capture the world as it goes by. It’s a major reason why most of the picks are mirrorless cameras or high-end compacts. We also wanted to represent products that could fit into any photographer’s budget, from the high-end Leica Q2 to the affordable Fujifilm XA-7. 

The final consideration when writing this guide on the best street photography cameras was picking products that we’ve actually used in the field. Each of the cameras that are featured in this buying guide are ones we have tested over the years, used on jobs, or spent an afternoon demoing in the field.

The best street photography cameras: Reviews & Recmomendations

Best overall: Fujifilm XPro3

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Why it made the cut: The XPro3 is a digital, mirrorless camera with an analog vibe. The hidden LCD touchscreen allows the photographer to focus on composing through the camera’s viewfinder. It might feel antiquated, but it doesn’t get better than this for a focused street shooter.  

Specs: 

• 26.1 MP sensor
• Hybrid 0.5x OVF, 3.69M-dot OLED EVF
• Hidden tilting touchsceen

Pros

• Same tech specs as the X-T3
• Hidden touchscreen 
• Attractive built-in film presets 
• 4K video capabilities

Cons 

The Fujifilm XPro3 was designed to appeal to street photographers making it our choice for the best street photography camera overall. The hidden flip-down touchscreen is inherently divisive. But, if you are the kind of shooter who loves to keep your eye to the viewfinder, this is the camera for you. It’s one of the few digital cameras on the market that requires you to think like a film shooter. It also has mega-style points. 

The XPro3 has titanium top and bottom plates and tactile accents reminiscent of a film camera. The film-stock monitor is also undeniably cool. In addition, the unique viewfinder gives you the ability to see outside of the frame, an excellent tool for planning when to hit the shutter while keeping an eye on the action around you. 

When paired with a prime lens, this mirrorless option is quite compact. It can convert RAW files to TIFFs in-camera, and most importantly, is a joy to shoot with. Of course, the XPro3 isn’t going to be the best camera for every genre of photography, but for street photography, we think it’s perfect.

Best upgrade compact: Leica Q2

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Why it made the cut: The Leica Q2 is a well-built mirrorless fixed-lens camera, capable of creating beautiful RAW photos at ISO as low as 50, thanks to the 47 MP sensor. Although it’s undoubtedly pricy, this camera is highly capable. It feels good in your hands, and it’s undeniable that Leica has long been a favorite of street photographers. 

Specs: 

• 47 MP sensor
• 28mm fixed lens 
• Fixed 3” LCD screen 

Pros 

• Weather sealed body 
• Shoots beautiful RAW photos
• Fast, fixed F/1.7 lens

Cons 

• Expensive 

The Leica Q2 is a full-frame camera with a 28mm fixed lens built around a 47.3 megapixel sensor. It has a similar look and feel as Leica’s M rangefinder cameras. In addition, it can shoot 4K UHD video, has a dust and water-resistant build, and features Bluetooth for easier image sharing on the fly. 

The ISO range is 50-50,000 (thanks to that massive sensor), and it has a beautiful EVF that makes this ideal for street shooting. The Q2 is a brilliant camera and a worthy investment for any street photographer if your budget allows it.

Best compact: Sony RX100 VII

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Why it made the cut: The ultra-compact Sony RX100 is on its 7th iteration, and every version just keeps getting better. Built around a 20 MP 1” sensor with an impressive 24-200mm lens, the RX100 features a ton of manual controls typically found in larger mirrorless cameras. This is one powerful pocket-sized camera. 

Specs: 

• 24-200mm lens 
• 20 MP 1” sensor 
• 3” tilting LCD screen 

Pros

• Pocket sized compact
• Pop-up OLED viewfinder
• Built-in mic input for video 

Cons 

• Not great in low light
• No mic mount

The Sony RX100 VII is one of the most capable compact cameras on the market. It has excellent autofocus, a lens with an impressive zoom range, and tons of customizable options. This gives users way more control than a typical compact camera. In addition, since it’s so small, it’s easy to take anywhere and remain inconspicuous, an important thing to consider when shopping for a street photography camera. 

The clever pop-up viewfinder lets you compose images with your eye to the camera, a rare luxury in the world of compact cameras. It also features Sony’s impressive real-time tracking tech, which is excellent for holding focus on your subjects as they walk through the streets. Although its low-light capabilities are limited, this is a great pocket-sized companion for shooting during the daytime.

Best fixed-lens digital compact: Ricoh GR IIIx

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Why it made the cut: Based on a classic film camera, this fixed-lens compact has a super-sharp lens and a very inconspicuous body.

Specs:

• 40mm fixed lens
• Compact body
• 24.2-megapixel APS-C sensor

Pros

• Large sensor inside makes for excellent image quality
• Sharp, versatile 40mm lens
• Extremely pocket-friendly

Cons:

• No zoom
• Just OK autofocus

The original Ricoh GR film cameras attained cult status in the film photography world for their small, inconspicuous bodies and their extremely sharp lenses. The GR IIIx follows in that tradition. Instead of the typical 28mm lens you’d expect from previous models, it employs a more versatile 40mm lens, which makes it more capable when it comes to tighter portraits or detail shots where you want to keep the focus on a single subject. Its APS-C sensor allows it to pull of some actual shallow depth of field. It’s something you’ll want to use relatively sparingly in street photography where you typically want to keep most of the scene in focus, but it’s great to have as an option. Its magnesium alloy body makes it tough enough that it can survive while shoved in a pocket or a bag as an everyday carry. It looks and feels like the original and that’s a great thing in this instance.

Best DSLR: Canon EOS 6D Mark II

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Why it made the cut: This entry-level DSLR has a relatively lightweight body while still offering a full-frame 26 MP CMOS sensor. It has responsive autofocus, an optical viewfinder with 45-point all-cross-type AF options, and can shoot up to 6.5 fps.

Specs:

• 26 MP CMOS sensor
• Mid-size DSLR 
• 3” full-articulating LCD screen 

Pros

• Large, bright LCD screen
• Compact size 
• Good autofocus 

Cons

• No viewfinder 

Although it’s not the most exciting camera on the list, the Canon EOS 6D Mark II is a highly capable DSLR with a reasonable price tag compared to higher-end full-frame DSLRs. 

Its image quality is impeccable, and it’s a more versatile option than some of the other options on this list. Although we wouldn’t typically recommend a DSLR for street shooting, the 6D has a small enough profile when paired with a nice pancake lens or a nifty-fifty to make it suitable for the genre. 

This well-built choice is easy to use and has an impressive autofocus system for nailing your shots.

Best rangefinder: Leica M11

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Why it made the cut: Leica hasn’t done much to change the M-series design since it debuted back in the ’50s, which is a good thing. It’s quiet, inconspicuous, and produces absurdly beautiful photos.

Specs:

• 60-megapixel sensor
• Rangefinder
• Uses M-mount lenses

Pros

• Cool triple resolution sensor lets shooter prioritize resolution or dynamic range
• Perfect handling as with most Leica M cameras
• Sturdy build
• Uses iconic M-mount lenses

Cons

• Extremely pricy
• No autofocus

If you want to shoot like a classic street photographer, you can’t go wrong with a Leica M-series rangefinder. The new M11 has decidedly modern guts that can churn out 60-megapixel raw files in the easy-to-edit DNG format. The new M11, however, also offers 33- and 18-megapixel settings that still use the whole sensor and emphasize dynamic range over pure resolution. Even with the fancy electronics inside, the M11 stays true to the M legacy which started back in the 1950s. The M11 looks like the rangefinders that came before it and handles like one, too. The shutter is nearly silent and the manual focus lenses allow for zone focusing, which is as pure as it gets when it comes to shooting on the streets. Of course, you’ll need to set aside some considerable cash to get one, and even then, you’ll still need room in the budget for a lens. But, if you’ve recently sold some NFTs of hipster cats or whatever and you’re flush with cash, this camera is hard to beat. – Stan Horaczek

Best budget film compact: Olympus XA2

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Why it made the cut: This manual-focusing film camera costs considerably less than some of its AF competition. Plus, it’s tiny, inconspicuous, and produces truly impressive image quality.

Specs:

• 35mm film
• Manual focus
• Attached 35mm f/3.5 lens

Pros

• Tiny enough to fit in a pocket
• Very sharp lens
• Sliding design protects the lens
• Mostly mechanical

Cons

• No autofocus
• Can be tough on big hands
• Flash is an external add-on

At first glance, the XA2 almost looks like a toy camera. In reality, it’s an impressive little camera with surprising street photography. chops. It doesn’t autofocus, but it does have an easy-to-use zone focusing scale, which allows for easy shooting from the hip. Rather than relying on the camera’s AF sensor to find and focus on the subject, you simple set the focus distance and get your subject to fall into that range. It’s an old school technique that’s fun and satisfying when you nail it. It has a tiny optical viewfinder and a 35mm f/3.5 lens that’s extremely sharp when you nail the focus. The flash comes as an additional component that attaches to the side of the camera rather than the top. This is a true classic and it will only set you back a fraction of the price when compared to trendier and more popular models like the Olympus Stylus Epic (MJU II) or the astronomically priced Contax T2. – Stan Horaczek

Things to consider when looking for the best street photography cameras

When shooting out on the street, it’s important to be quick. Street photography is about capturing those fleeting moments in life, so you will want a camera with speedy autofocus and a fast shutter speed. Intuitive controls for switching settings without having to remove your eye from the camera’s viewfinder are also very important. A camera with a fast burst mode can be useful if you are just starting with street photography. The best street photography cameras will allow you to capture multiple images from the same scene, giving you the opportunity to choose your best shot during the editing process.  

Although we live in an era where everyone has a camera in their pocket, and it’s not unusual to see people whip out their smartphones and snap a picture, a true street photographer does their best work by being discreet. A lightweight camera will allow you to blend in without being noticed. Plus, it will keep your shoulders from aching after a long day of shooting. So look for something with a low-profile body and short lens. For this reason, mirrorless cameras or high-end compacts can be great options for street photographers. 

A mid-range lens will serve you well for shooting street photography. While 35mm is considered the classic for street photographers, something slightly wider or tighter can provide a unique perspective for this shooting style. Ideally, though, you want to stay within the 24mm-50mm range. Many street photographers love a fixed lens for this genre. It keeps them focused on composing and forces them to zoom with their feet. Generally speaking, a fixed focal length will also have a wider aperture range, allowing you to shoot fast, even in darker lighting conditions.

FAQs

Final thoughts on the best street photography cameras

When selecting the best street photography cameras, it’s important to consider things like weight and autofocus capabilities. Ultimately you want to go with something that you can use discreetly and intuitively, but also something that is fun to work with. Street photography is all about seeing the world and you want a camera that will help you do that by acting as an extension of your eyes. The cameras in this guide certainly do just that. 

The post The best street photography cameras in 2023 appeared first on Popular Photography.

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Best overall		Sony RX100 VII		SEE IT
Best for traveler		Canon PowerShot G7 X Mark III		SEE IT
Best instant camera		Instax Mini 11		SEE IT

Point-and-shoot cameras may be less common these days, in part thanks to smartphones, but there are still some worthy reasons to invest in these pocketable cameras. For starters, even though smartphone cameras have become quite impressive, the sensors in compact cameras are still larger. And the lenses typically have more to offer as well. Plus, sometimes it’s nice to keep the phone tucked away but still be able to take photos. The best point-and-shoot cameras offer great image quality, easy-to-use controls, and compact designs, making them ideal for a wide range of people and situations.

• Best overall: Sony RX100 VII
• Best for travel: Canon PowerShot G7 X Mark III
• Best waterproof: Olympus Tough TG-6
• Best film camera: Ilford Sprite 35-II Reusable 35mm Film Camera
• Best instant camera: Instax Mini 11
• Best for street photography: Ricoh GR IIIx
• Best for content creators: Sony ZV-1
• Best budget: Panasonic LUMIX DC-FZ80

How we picked the best point-and-shoot cameras

The writers and editors at Popular Photography have decades of combined experience writing about and reviewing cameras. These picks come from a mixture of personal experience, spec comparisons, user reviews, and editorial reviews. We emphasized models that perform in a variety of different situations while keeping their sizes small. While some of these models climb up over $1,000, we tried to keep the price relatively low for most selections because these aren’t the most advanced models.

The best point-and-shoot cameras: Reviews & recommendations

Best overall: Sony RX100 VII

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Why it made the cut: Sony’s RX100 VII offers excellent image quality, smooth 4K video, and truly impressive autofocus. It’s one of the most well-rounded point-and-shoot cameras available.

Specs

• Sensor: 20.1MP 1″ Exmor RS BSI CMOS sensor
• Lens: f/2.8-4.5 9-72mm (35mm equivalent: 24-200mm)
• Weight: 10.65 ounces
• Dimensions: 4 x 2.29 x 1.69 inches

Pros

• Exceptional autofocus
• Versatile zoom range
• Large sensor
• 4K video

Cons

• Pricey for a point-and-shoot

The Sony RX100 VII is an awesome little camera. Despite the tiny body, it’s packed with a large, one-inch sensor, resulting in excellent image quality for the category. It also has the best autofocus of any point-and-shoot camera, meaning you’ll get more images in focus even when working with moving subjects.

This compact camera offers a 24-200mm equivalent lens, which is a versatile zoom range. And it is capable of 4K video, making this a well-rounded camera suitable for just about everyone. The only downside is the price. It is quite expensive for a point-and-shoot. But it offers a lot of quality and high-end features in a tiny package, so we think it’s worth the price.

Best for travel: Canon PowerShot G7 X Mark III

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Why it made the cut: A large, 1-inch sensor and a versatile lens make this camera comfortable in just about any situation.

Specs

• Sensor: 20.2MP 1″ Stacked CMOS sensor
• Lens: f/1.8-2.8 8.8-36.8mm (35mm equivalent: 24-100mm)
• Weight: 1 pound

Dimensions: 4.13 x 2.4 x 1.63 inches

Pros

• Large sensor
• Versatile lens
• Manual control options
• Solid flash

Cons

• A little pricey

The one-inch sensor is larger than what you’ll find in a typical compact camera. This translates into better low-light shooting, even when you’re not using the built-in flash. And the sensor has built-in autofocus pixels that help track objects for sharp shots even when your subject is moving. 

The 4.2x optical zoom lets shooters capture more distant objects without sacrificing image quality, and the 3-inch tilting LCD screen allows for shots from creative angles. Finally, raw photo capture provides extra flexibility for travel photographers who want to perfect images with photo editing software once they’re back from their trip. It’s a great camera for beginners and more experienced shooters alike.

Best waterproof: Olympus Tough TG-6

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Why it made the cut: It’s waterproof down to 50 feet without the need for an extra case. And it’s also dust and crush resistant for even better durability.

Specs

• Sensor: 12MP BSI CMOS sensor
• Lens: f/2-4.9 4.5-18mm (35mm equivalent: 25 to 100mm)
• Weight: 8.92 ounces

Dimensions: 4.45 x 2.6 x 1.28 inches

Pros

• Waterproof
• Extremely tough
• Versatile lens
• Underwater shooting modes
• Compatible with tons of accessories

Cons

• Small sensor

This point-and-shoot camera can go pretty much anywhere. It’s waterproof down to 50 feet without a separate case. It’s totally dust-proof, so it won’t suffer if you take it to the beach or deep in the desert. Plus, it’s crush-proof up to 220 pounds, so you can sit on it by accident and still go shooting later in the day. Most compacts can’t stand up to that kind of abuse. 

Toughness isn’t worth much if the camera isn’t very good. This compact offers a relatively small sensor, but it has a versatile 4x zoom lens that will cover most common scenarios out on your adventures. And if you fall in love with the camera, Olympus offers a ton of different accessories like action camera mounts and underwater lights to go with it.

Best film camera: Ilford Sprite 35-II Reusable 35mm Film Camera

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Why it made the cut: This reusable yet affordable film camera is lightweight and tiny, easy to use, and comes in fun colors.

Specs

• Sensor: N/A
• Lens: f/9 31mm
• Weight: 4 ounces
• Dimensions: 4.7 x 2.6 x 1.7 inches

Pros

• Comes in eight fun color combinations
• Very affordable
• Fixed settings make it easy to use
• Features a built-in flash

Cons

• Fixed settings may be limiting
• Plastic lens results in some softness

If you want to get your feet wet with film, the Ilford Sprite 35-II is a fantastic and fun choice. It’s similar to disposable camera in that it has a plastic lens with a fixed aperture and shutter speed. But it’s reloadable, thus producing less waste. And it simply looks cooler than a disposable camera as well.

The Sprite 35-II features a 31mm lens with a fixed f/9 aperture to ensure that your scene is in focus. It also has a fixed 1/120s shutter speed. There is a built-in flash for low light situations, perfect for shooting indoors. You won’t get precisely sharp and perfect results from this camera, but we think that’s half the fun. It’s a great outlet compared to highly technical cameras and fun to bring along on outings with friends and family. And since it has no settings at all, it’s a true point-and-shoot that is extremely simple to use, even with it being a film camera.

Best instant camera: Instax Mini 11

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Why it made the cut: You can’t beat the fun of an instant camera, and the Mini 11 makes instant photography even more approachable thanks to its small size and affordable price. 

Specs

• Sensor: N/A
• Lens: f/12.7 60mm
• Weight: 10.34 ounces
• Dimensions: 4.24 x 4.77 x 2.65 inches

Pros

• Affordable
• Produces fun, tiny instant prints
• Easy to use
• Includes a selfie mirror on the lens

Cons

• Results aren’t the sharpest

There’s just something special about a camera spitting out an image and the wait for it to seemingly magically appear. The best instant cameras are easy to use and result in attractive prints, and that is true of the Instax Mini 11. The results aren’t pristine like you may be used to with your phone or digital camera, but we think that’s part of the charm.

The Instax Mini 11 features a fixed 60mm lens with an f/12.7 aperture that focuses from 11.8 inches to infinity. Or, you can turn the lens to Selfie Mode for a close focusing range of 11.8 to 19.7 inches. And there is a built-in flash, which is ideal for indoor shooting. It is a little slick to hold, but comes with a lanyard to prevent drips.

I recently let all of my nieces and nephews–all of whom are under 12–use the Instax Mini 11, and it was such a blast seeing how excited they were. They all wanted to keep taking photos despite the limited quantity of film I had and ran around showing the rest of the family what they captured. And despite some of them being quite young (and impatient to take a photo), they all managed to take a photo that was clear and relatively sharp. 

Best for street photography: Ricoh GR IIIx

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Why it made the cut: The small size makes it easy to keep on-hand and discreet to shoot with, plus it offers truly beautiful image quality.

Specs

• Sensor: 24.2MP APS-C CMOS sensor
• Lens: f/2.8 26.1mm (35mm equivalent: 40mm)
• Weight: 9.2 ounces
• Dimensions: 4.3 x 2.4 x 1.4 inches

Pros

• Large sensor provides excellent image quality
• Compact and pocket-friendly
• 40mm lens is sharp and versatile

Cons

• No zoom
• Battery life isn’t great

Ricoh’s GR IIIx is a fantastic pick for street photography in large part thanks to its compact design. It is pocketable, so you can easily keep it on you when out and about. And it won’t draw much attention when you take it out to snap a photo. It also has slick all-black styling and an easy-to-hold design, even when shooting with one hand.

This discreet look is furthered by the lack of a zoom lens. It uses a fixed 40mm focal length (35mm equivalent), so you won’t lose the compact size when taking photos. 40mm is also an ideal focal length for street photography, as it is wide enough to get some context in the scene, but not so wide that you end up with loads of extra space around your subject. If you do want something wider, the GR III is essentially the same, except it features a wider 28mm equivalent lens.

The image quality from the GR IIIx is excellent, in part thanks to the relatively large sensor. Images are sharp all the way to the edges, even when shooting wide open at f/2.8. And it produces vibrant, attractive colors. Interested in learning more? Check out our full review of the GR IIIx.

Best for content creators: Sony ZV-1

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Why it made the cut: The relatively large 1-inch sensor and versatile lens offer solid photographic features for any situation, but it’s especially adept for vlogging.

Specs

• Sensor: 20.1MP 1″ Exmor RS BSI CMOS sensor
• Lens: f/1.8-2.8 9.4-5.7mm (35mm equivalent: 24-70mm)
• Weight: 10.4 ounces
• Dimensions: 4.15 x 2.36 x 1.71 inches

Pros

• Excellent lens
• Large sensor
• Very compact for its specs
• Above average autofocus features

Cons

• Can feel a little cramped with big hands

Sony’s ZV-1 is a camera truly designed for vloggers, and as a result is packed with features to make recording yourself easier. The auto exposure settings keep your face bright and clear. It even centers your face and quickly adjusts background blur with the push of a Background Defocus button. And the little camera gets Sony’s impressive autofocus abilities, so if you are showcasing other people or products, the camera will quickly find focus for you.

The forward-directional onboard mic and detachable windscreen will help you get great sound, leaving you fussing with levels in post less. There’s also a handy flip screen so you can preview the frame and capture the perfect shots and angles, making it one of the best point-and-shoot cameras for vlogging.

Best budget: Panasonic LUMIX DC-FZ80

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Why it made the cut: The Lumix DC-FZ80 has a comfortable DSLR like build and provides a massive 60x zoom at a very reasonable price.

Specs 

• Sensor: 18.1MP 1/2.3″ MOS sensor
• Lens: f/2.8-5.9 3.6 to 215mm (35mm equivalent: 20-1200mm)
• Weight: 1.35 pounds
• Dimensions: 5.1 x 3.7 x 4.7 inches

Pros

• Massive zoom range
• Responsive autofocus
• 4K30p video recording
• Easy to hold

Cons

• Not as compact as other options

Panasonic’s Lumix DC-FZ80 is an affordable bridge camera, offering a DSLR like body with easy to use controls. Because of the deep hand grip, it’s an easy camera to hold than the other point-and-shoots mentioned on our list. It isn’t as compact as a result, so it is a tradeoff, but for many, the classic feel is preferred. 

The built-in lens provides a whopping 60x zoom, making it suitable for just about any situation you find yourself wanting to photograph. And it’s autofocus is quite responsive, so you’ll be more likely to get sharp photos as well. And it’s capable of 4K video, making it a good tool for getting started with video as well. And best of all? It’s cheaper than most alternatives.

Features to consider when shopping for the best point-and-shoot cameras

Point-and-shoot cameras are small and compact cameras that can create sharp, vibrant images. This makes them the best camera for beginners, a good option for travelers, and even a worthy choice for some professional uses. Here are some features to consider when choosing the right one for you.

Are you a true beginner?

A point-and-shoot camera is designed to make the process of photography as simple as possible. They typically feature fully automatic exposure and focus so that you can, as the name implies, point the camera and snap a photo with nothing more than a press of a button. If you are a true beginner and want the easiest to use camera, you’ll want to look for models with simple menu systems and fully automatic controls. 

That said, some point-and-shoots offer more settings than others. If you are slightly beyond beginner status, or want a camera to grow into, check to see what settings the camera allows you to change. You may want to adjust things like ISO, shutter speed, and aperture down the line, as opposed to relying on auto exposure modes.

Will you travel with your camera?

One of the main purposes of a compact camera is that the camera is, well, compact. With typical dimensions of roughly 2.5 x 3.5 x 1.5 inches, point-and-shoots are specifically designed to easily fit into pockets, purses, fanny packs, and other small compartments. And unlike hefty DSLRs or mirrorless cameras, point-and-shoot cameras weigh way less than a single pound. And if you’re worried about safety, the discreet size of compact cameras makes them less of a target for theft.

While all point-and-shoot cameras are pretty compact, there are still size differences across available cameras. Be sure to pay attention to the dimensions and weight of the cameras you are considering if that is something important to you.

Do you need a tough camera for an active lifestyle?

If you live for the outdoors—hiking steep mountain trails or backpacking through desert Canyons—you need a point-and-shoot camera that can handle adventure. Rugged and waterproof cameras are built to endure and capture the extreme environments you love exploring. Taking electronics to the beach is usually a big no-no, as even a single grain of sand can cause damage. Yet rugged models can resist sand, allowing you to take all the sunset shots you want.

For us less risky folk, these tough cameras can survive your average accidental drops, spills, and kicks. Some of them may be overkill for general use, however. If you don’t intend to take your camera on rugged adventures, you may be able to save some money by getting a camera without extensive protective qualities. 

FAQs

A final word on shopping for the best point-and-shoot cameras

• Best overall: Sony RX100 VII
• Best for travel: Canon PowerShot G7 X Mark III
• Best waterproof: Olympus Tough TG-6
• Best film camera: Ilford Sprite 35-II Reusable 35mm Film Camera
• Best instant camera: Instax Mini 11
• Best for street photography: Ricoh GR IIIx
• Best for content creators: Sony ZV-1
• Best budget: Panasonic LUMIX DC-FZ80

No matter the setting, creative vision, skill level, or age of a photographer, there are high-quality options that meet every need. The ultimate advantage of a point-and-shoot is its size and portability, making it the perfect camera for travel and adventure, as well as documenting day-to-day life.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

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The Ricoh GR IIIx is a pocketable camera with a really impressive 40mm equivalent f/2.8 lens and a capable 24-megapixel APS-C sensor. Image quality is great: the lens is tack sharp all the way across the frame. The camera has built-in image stabilization to reduce camera shake (for stills only), and it works well. The GR IIIx is very small and, as such, controls are a bit cluttered. The LCD is average in terms of size and resolution, and it’s a shame it can’t tilt upward for waist-level shooting.

Negatives are few, though they’re important. The most significant issue we had with the GR IIIx is its battery life: it’s just not good. The movie mode is not impressive but, then again, this camera is not for that market. The only other nice-to-have would be some kind of weather-proofing, but maybe Ricoh is saving that for the GR IIIx Mark II. 

Pros:

• Excellent lens and sensor combination make for great image quality
• Ultra-compact and well-built
• Effective image stabilization
• Snappy performance

Cons:

• Poor battery life
• Lackluster movie mode
• Weather-proofing would have been nice

Hardware & key specs

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The GR IIIx uses the same 24-megapixel APS-C-sized sensor as the GR III. The sensor is stabilized on three axes and can reduce shake by up to 4 stops, according to Ricoh. While it lacks an anti-aliasing (AA) filter, the GR IIIx can simulate having one by shifting its sensor, which helps to reduce moiré, which can be distracting, especially in video.

Key specs:

• Sensor-shift image stabilization
• Built-in ND filter
• 3-inch, 1.04 million-dot touchscreen display
• Wi-Fi and Bluetooth
• 2GB internal memory and SDXC UHS-I card slot
• 200 shots per battery charge

The real highlight of the GR IIIx is its 40mm equivalent f/2.8 lens, which is also what differentiates it from the vanilla GR III, which has a 28mm equivalent lens. The GR IIIx’s lens can get as close to your subject as 4.7 inches. 

The lens doesn’t support screw-on filters, though it has a built-in neutral density (ND) filter, which allows you to use slower shutter speeds or smaller apertures in bright light. An optional teleconverter accessory boosts the equivalent focal length to 75mm. A small optical viewfinder, which attaches via the hot shoe, is another optional accessory.

The camera’s 3-inch LCD has an average size and resolution for a compact camera. Its touchscreen lets you tap to focus, navigate menus, and review photos. Since this is a fixed (non-articulating) display, waist-level shooting isn’t possible. The GR IIIx lacks a built-in flash but there is a hotshoe.

The USB Type-C port is used to transfer images, connect to a display (DisplayPort required), or charge the battery. Ricoh estimates that you can take 200 shots on a single charge, give or take.

What it’s like to use

The GR IIIx’s shooting experience has changed little since its predecessors, which, to its fans, is a good thing. The compact and well-built body is easy to pocket—yes, even in skinny jeans—and shooting one-handed is no problem. The IIIx has the same pill-shaped shutter release buttons as the generations of GR-series models that came before it. The controls on the back of the camera are cluttered, but that’s the tradeoff for keeping the body as small as possible. The mode dial on the top plate has a lock, though it would be nice to have an option for it to rotate freely.

The GR IIIx starts up quickly, which is how the camera functions as a whole. You can flip through photos or the menus as fast as your finger can move. Speaking of menus, they’re pretty extensive for a compact camera and allow for some pretty extensive customization of the GR IIIx. The camera has two control dials as well as the “ADJ” lever, which is used for exposure compensation and shortcuts to up to five settings. 

Composing photos on the LCD outdoors is challenging, but Ricoh came to the rescue with an “outdoor view setting” that lets you quickly adjust screen brightness. Going up by a stop did the job for me.

The location of the video button on the left side of the camera suggests that video is an afterthought on the GR IIIx, and it is. You can capture 1080/60p video, but controls are limited, and the camera is slow when adjusting focus. There is a crop when shooting video, and its electronic shake reduction isn’t the best.

The GR IIIx has both Wi-Fi (2.4Ghz) and Bluetooth built-in. While its app is not well-loved, I had very few issues connecting to and transferring images from the camera.

Image quality

The GR IIIx’s sensor and lens combo make for excellent image quality. Images are very sharp in both the center and the corners, even wide open at f/2.8. A trip to the local tulip fields illustrated the kind of vibrant colors the GR IIIx produces. The camera offers several color (and B&W) modes for getting a little more creative.

The 24-megapixel sensor inside the GR IIIx impresses, with good dynamic range and low noise at higher sensitivities.

Autofocus & operation speed

The GR IIIx focuses quickly, and its hybrid (phase & contrast detection) autofocus system is snappy and accurate. The camera stuck to its subject fairly well when using tracking autofocus. If I didn’t want to wait for the camera to lock focus, I could just mash the shutter release all the way down and the GR IIIx would use a predefined distance, such as 2.5m (a little over 8 feet).

If you want to shoot photos quickly, the GR IIIx is not your camera. It chugs along at 4 frames per second and stops after less than 10 shots if you’re shooting Raw (DNG).

At 200 shots per charge, battery life is pretty lousy. If you’re out for the day, bring a spare or a portable USB-C charger.

Ricoh GR IIIx compared to…

You can count the number of fixed lens large sensor cameras on one hand. Aside from the Rioch GR III with its 28mm lens, the only other camera in this class is the Fujifilm X100V.  The X100V features a 35mm equivalent f/2 lens and an excellent 26-megapixel sensor. It’s a chunkier camera but that makes room for an electronic viewfinder and plenty of dials. Like the GR III series, the X100V has a considerable fanbase and should be considered if you want a more hands-on shooting approach and have a higher budget.

Another option is to buy a compact mirrorless camera and a fast prime lens. One such option is the Fujifilm X-E4 paired with the company’s 28mm f/2.8 lens (equivalent to 41mm). As with the X100V, it’s a thicker camera, but it offers a viewfinder, tilting LCD, and lots of dials. It does, however, lack image stabilization.

A budget option is the Olympus PEN E-PL10 and Panasonic 20mm (40mm equivalent) f/1.7 combination. The E-PL10 has an aging 16-megapixel sensor that is smaller than the one on the GR IIIx, but it’s still a capable camera with a vast selection of lenses.

Additional samples

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Ricoh is releasing a new limited edition version of its popular GR IIIx compact camera that features a striking blue and gray paint job, along with revamped exposure and focus modes. The new Ricoh GR IIIx “Urban Edition” kit includes the camera along with a leather hand strap and a metallic hot shoe cover. It will be available next month for $1,099.95—that’s just $100 more than a standard GR IIIx.

Ricoh Japan says 2000 units will be made, and a camera-only version (i.e. with no leather strap or hot shoe cover) will be available this summer. Photographers using the standard GR IIIx will gain access to these exposure and focus updates next month via a firmware update. 

The paint job

Related: Opinion: The joy of fixed-lens cameras

According to Ricoh, the navy-blue and metallic grey colors were inspired by the deep blue and grey colors that are often seen in street photographers’ frames from urban locations. Although we’ll admit that we love the aesthetics of this limited-edition GR IIIx, the most exciting updates are on the inside. 

New exposure mode

A new exposure mode called “Snap Distance Priority” allows shooters to pre-set preferred distance and depth-of-field settings—a handy tool for street shooters who are doing a lot of pan-focus photography.

New Focus Modes 

Ricoh has introduced three new focus modes as well. “Auto Area AF(Center)” uses the nine focus zones around the center of the image sensor rather than the entire image field. “Enable AF mode shutter-release” allows photographers to lock the AF system without locking the AE system when pressing the shutter down halfway. Finally, “Snapshot Mode” lets users set the focus mode to 11.5 feet, which can be accessed by a long press on the monitor. All four of these new settings will be available via a firmware update next month for existing GR IIIx shooters (no word if GR III customers will also get the update). 

Price & availability

The GR IIIx Urban Edition kit with the leather hand strap and metallic hot shoe cover will be available in April 2022 for $1,099.95. A camera-only version will be available this summer, pricing to be announced. 

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I went out walking this morning, and I took my Leica Q2 Monochrom with me. Walking among the fields around my home in rural England is always interesting: the light changes often, the sky varies from hour to hour, and the crops in the fields show new tones as the seasons progress.

Since the Q2 is a fixed-lens camera, I didn’t need to decide which lens to take. I also own a Fujifilm X-E4, with a panoply of prime and zoom lenses, and when I shoot with that camera, choosing which lens or lenses will be ideal for the photos I plan to take can be complex. And my camera bag can end up quite heavy. With the Q2, there’s nothing additional to carry.

Less is more

There are a handful of high-quality fixed-lens cameras currently available, such as Fujifilm’s X100V, Ricoh’s GR III and GR IIIx, or Leica’s Q2 and Q2 Monochrom. With prices around $900 (Ricoh), $1,400 (Fujifilm), $5,600 (Leica Q2), and $6,200 (Q2 Monochrom), these are not inexpensive travel cameras, but very capable modern mirrorless devices. Many people see fixed-lens cameras as too limiting, that having only one lens can prevent them from taking diverse types of photos. But shooting with a fixed-lens camera can actually be liberating. 

Limitations spur creativity

The limitation of a fixed lens can help spur creativity. When working with a camera like this, you become familiar with how photos shot through that lens will look. When you scan your surroundings searching for subjects to photograph, you automatically scale them with the camera’s lens in mind; you learn to see the world as that lens sees it. Instead of thinking that you might want to use a different lens or focal length for a photo, you work with this limitation. You can awaken your beginner’s mind, freeing yourself from technical concerns. As Zen teacher Shunryu Suzuki said, “In the beginner’s mind there are many possibilities, but in the expert’s there are few.”

A wide field-of-view

The cameras I’m discussing all have different focal lengths: the Ricoh GR IIIx has a 40mm equivalent lens (the GR III has a 28mm equivalent), the Fujifilm’s lens is a 35mm equivalent, and the Leica has a 28mm lens. All of these focal lengths are considered wide-angle (Ok, 40mm straddles the line between wide-angle and “standard”), and if this isn’t your style of photography, they won’t work for you. Wildlife, sports, or macro photography require different lenses (though the Leica Q2 does have a macro focus mode). But for street photography, landscapes, and documenting family life, these focal lengths can be fantastic. 

Cropping in-camera

Because of these wide-angle lenses, you may have to “zoom with your feet,” and, while you can’t always get as close as you want to your subjects, you can crop. These cameras all have modern sensors that have excellent dynamic range and enough megapixels for most photographers: the Ricoh has a 24-megapixel APS-C sensor, the Fujifilm has a 26-megapixel APS-C sensor, and the Leica has a 47-megapixel full-frame sensor, both for the color and monochrome models.

All of these cameras offer digital zoom features, which allow you to crop live, viewing different “virtual” focal lengths in the viewfinder or LCD. On the Fujifilm X100V, you have crops at 50mm and 70mm equivalents, and the Leica Q2 crops to 35mm, 50mm, and 75mm equivalents. The GR III crops at 35mm and 70mm equivalents and the GR IIIx crops at 50mm and 70mm equivalents. These features are compositional assistants, and if you shoot raw, you still retain the full images the lenses capture, but it can help to use these guides to compose photos that you might later crop.

Lenses built for their sensors

Another advantage of a fixed-lens camera is that the lens is designed specifically for the camera, not just for a manufacturer’s camera mount. It can sit closer to the sensor, saving a lot of space, and allowing the lenses to be optimized for the sensor. Both the Ricoh and Fujifilm cameras are incredibly compact for their quality; the former easily fits in a jacket pocket. The GR III X has an f/2.8 lens, and the X100V has an f/2 lens; not the fastest, but certainly not slow. The Leica Q2 series is more substantial: its f/1.7 lens takes up a lot of space, and it’s much heavier; but it’s also the toughest-built camera of the bunch.

An end to G.A.S.

Also, if you use a fixed-lens camera, you won’t have the same gear acquisition syndrome that you have with other interchangeable lens cameras; there is always the temptation to buy just one more lens. Sure, there are accessories you can buy, such as cases, straps, grips, and thumb rests—and both the Ricoh and Fujifilm cameras offer “converters,” lenses you screw onto the camera to shoot in longer and wider focal lengths. But you won’t be constantly looking at newer, faster lenses and wondering if you really need them. 

The wrap

Yes, there are limitations with a fixed-lens camera. And, as a photographer, you learn to work them. Ernst Haas once said, “There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.”

Ultimately, we have to be comfortable with the camera we choose. A fixed-lens camera isn’t for everyone, and, particularly, with the cost of the Leica, many people will balk at buying a camera with just one focal length. But if your photography suits this type of camera, it’s worth considering ditching the ILC and using a fixed-lens camera instead. 

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It’s hardly news that in 2021, most consumers aren’t buying basic point-and-shoot cameras, which is why few camera manufacturers produce such models. But camera makers are still making advanced point-and-shoots, which are more expensive but also tend to have larger sensors, better optics and all-around better functionality. Case in point: Ricoh’s new GR IIIx.

The GR series of compacts has long carried somewhat of a cult following among street photographers. And this new model–which joins 2019’s Ricoh GR III in the company’s camera lineup,–aims to appeal directly to that customer.

The most conspicuous difference on the new Ricoh GR IIIx, which will be available in early October, is that it has a newly designed 40mm equiv. f/2.8 lens, which is a narrower field of view than the 28mm equiv. lens found historically on GR models. Ricoh says the focal length change is largely based on user feedback. While 28mm is considered wide-angle, 40mm is considered a more “normal” field-of-view.

It’s also more expensive. The sticker price is $999.95, which is about $100 more than the GR III.

Key features

The GR IIIx shares quite a bit with the standard GR III, including a 24MP APS-C CMOS sensor with 3-axis sensor-shift image stabilization. Like the GR III it is capable of outputting 14-bit Raw files and offers a top ISO sensitivity of 102,400. The new model does, however, get an updated processor (GR Engine 6) which could potentially lead to some image quality improvements. And like the GR III, the “x” model offers on-sensor phase-detection AF in addition to contrast-detect AF–the former should help the camera avoid “hunting” in low light.

The rear sports a 3-in touchscreen LCD with 1.04-million dots, the same as the GR III. The battery is also the same and gets a CIPA-rated 200 shots per charge (though you should get more in real-world shooting scenarios). Other standout features include a built-in 2EV neutral density filter as well as built-in Bluetooth and Wi-Fi connectivity.

One area we would’ve like to seen improved over the GR III is video capability. Unfortunately, the GR IIIx shoots the same full-HD resolution video (1920 x 1080) at 60, 30 or 24 frames per second (in H-264 format).

The new lens

The body design of the GR IIIx is unchanged from the previous generation, but the lens design is new and consists of 7 elements arranged in 5 groups, with two aspherical elements. The actual focal length of the lens is 26.1mm but paired with an APS-C sensor, the field of view is equivalent to 40mm. The lens uses a 9-blade aperture and offers a close-focus distance of just 4.7-inches.

Accesories

Ricoh says there will also be several accessories available for the new GR IIIx, including:

• Tele conversion lens (GT-2)
• Lens adapter (GA-2)
• External mini optical viewfinder (GV-3)
• Ring cap (available in dark gray, black, or bronze) (GN-2)
• Soft leather case (GC-11)

Availability

The Ricoh GR IIIx is available for preorder now and will ship in October. The price is $999.95.

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In addition to a new lens and flash, Nikon today also announced an affordable compact zoom camera, which brings a long lens for an eminently reasonable price. The new Nikon Coolpix L620 has a 14x 25-350mm equivalent lens, an 18.1-megapixel 1/2.3″ CMOS sensor, and a pricetag of just $250.

Unsurprisingly for a budget oriented camera like this, the technical specs of this camera are no great shakes. The lens has an aperture range of f/3.3-5.9, but at least the camera has an optical, lens based vibration reduction system, which should do something to counter the limited maximum aperture. The lens features 11 elements in 10 groups (2 ED lens elements), and the camera also packs a 3-inch, 460,000 dot LCD.

For power, the L620 relies on AA batteries, so your battery life will depend on what sort you use. Alkalines will get you just 150 shots, or 10 minutes of video recording, but if you use lithium that jumps to 660 shots or 1:25 of footage.

The video runs to a respectable maximum of 1920×1080 at 30fps, and ISO tops out at 3200. Unfortunately, there are no manual controls, so you’re stuck with program auto, and a plethora of scene modes.

If you need a pocket, and pocket-book, friendly travel zoom, the L620 will be available in September for $249, in either red or black.

Full press release below:

The New Nikon COOLPIX L620 is the Easy Way to Capture Great Photos and Videos, Even at a Distance

The Latest Addition to Nikon’s Comfort Long Zoom Camera Lineup Helps to Capture Life’s Special Moments with Little Fuss

MELVILLE, N.Y. – Today, Nikon Inc. introduced the new COOLPIX L620, an easy to handle compact camera with a versatile 14x optical zoom lens that makes it easy to shoot amazing images and Full HD video up close or from a distance. A great companion for the always on-the-go individual looking to capture special moments, the L620 offers user friendly features such as Scene Modes, Easy Auto Mode, Special Effects and Target Finding AF, as well as Full HD video recording at the touch of a button.

“The comfortable ergonomics and thoughtfully placed controls of the COOLPIX L620 make it easy to capture amazing memories from a baby’s first steps to a big hit at a little league baseball game,” said Bo Kajiwara, Vice President of Marketing, Planning and Customer Experience, Nikon Inc. “The COOLPIX L620 also includes many user-friendly features and controls to help consumers capture beautiful photos and videos with ease and confidence.”

The camera body of the COOLPIX L620 is designed specifically for users who seek simplicity with the added benefits and capabilities of a long zoom lens. The incredible 14x optical zoom-NIKKOR glass lens covers a focal length of 25mm to a distant 350mm (35mm equivalent), making the L620 ideal for taking on vacations as well as special moments that require shooting at a distance. For added stability, the integrated grip provides extra support when shooting or composing on the bright, high resolution HVGA 3.0-inch LCD monitor.

The new COOLPIX L620 boasts an 18.1-megapixel CMOS sensor, which assists in capturing detailed images with rich color and clarity. Even in low-light conditions, the camera can help the user to create sharper images with the assistance of lens-shift VR Image Stabilization and wide ISO range up to 3200 ISO. The L620 also features one-touch recording making it is simple to create fun videos and memories in Full HD 1080p video with stereo sound.

Capturing great still shots is effortless with Nikon’s easy-to-use Scene Modes or Easy Auto Mode which enable users to enhance their photos with options like Red Eye Fix and Face-Priority AF. Other special effects include Quick Retouch, Filter Effects and Skin Softening to create truly flattering portraits. For added convenience, the use of readily available AA-size batteries makes it easy for the user on the go.

Price and Availability

The Nikon COOLPIX L620 will be available in September 2013 for a suggested retail price (SRP) of $249.95* and is available in either Black or Red. For more information about this COOLPIX camera or other Nikon products, please visit www.nikonusa.com.

In order to give consumers a more effective way to understand the benefits of each COOLPIX camera and to help users determine the best camera to fit their lifestyle, Nikon has segmented the COOLPIX series into five categories: Advanced Performance, Fun & Innovative, Ultra-Slim Zoom, Comfort Long Zoom and Budget Friendly. For more information about this and other COOLPIX cameras, please visitwww.nikonusa.com.

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The zoom lens is one of the last advantages compact cameras cling to over their compact camera ounterparts. A cheapo compact will still get you a decent zoom, while a smartphone will be limited to a fixed focal length. Even Samsung’s Galaxy S4 Zoom had a fixed lens. But now they have announced the Samsung Galaxy K, and will bring the world of zooms and the world of smartphones together.

Since it isn’t planned to come to the USA, we don’t know how much it’ll cost. But according to early reports, it’ll have a 20.7-megapixel 1/2.3-inch CMOS sensor, a maximum aperture of f/3.1, and a zoom range of 24-240mm equivalent. On the smartphone side of the equation, there’s 4.8-inch, 720p Super AMOLED display, six-core processor (quad-core 1.3GHz, dual-core 1.7GHz), 2GB of RAM, 8GB of onboard storage.

Alongside full manual controls, Samsung has also packed this model with interesting shooting modes, like Pro Suggest, which gives you five different scene mode choices for any possible shooting situation; or Selfie Alarm, where you specify where in the frame you want your face to go, and when your head moves into the right area, it’ll rapidly fire off three shots.

It remains to be seen if Samsung will bring the Galaxy K to other markets (or something else similar)—but if you’re going to carry around a gadget in your pockets, it only makes sense to have it do double duties as much as possible.

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