The flagship Leica M11 rangefinder launched earlier this year boasting a host of upgrades, most notably, a higher-resolution sensor and a more powerful processor. And yet, the camera sports the same basic design as its ancestors, dating back to the 1950s. But it’s precisely this combination of new and old that makes a Leica, well, a Leica.

We’ve had the pleasure of shooting around with the new camera for a little while now. And with a complete review on the horizon, we wanted to share some initial samples and impressions to get you pumped. All of these photos were captured with the Leica Summicron-M 35mm f/1.4 ASPH lens. Exposure information and edits are noted in the captions.

Related: Leica redesigns one of its most popular lenses (and makes it more affordable)

Leica M11 sample photos

With its state-of-the-art, custom-made 60-megapixel sensor and updated “Maestro III” image processor, one has high expectations about the M11’s image quality, and gosh does it deliver. From color to sharpness (due mainly to the quality of Leica’s lenses) to dynamic range, the M11 does not disappoint.

Many cameras don’t capture the color of amazing sunsets like this one, usually being too flat. (Smartphones, on the other hand, are over-the-top.) Here, the exposure is well-balanced. And if you want to brighten up the foreground a bit, the M11 is fully capable.

It may look like the foreground couldn’t possibly be so lush and green but that’s how the M11 rendered it in this converted DNG file (with no color adjustments applied). If for some reason, you wanted this scene to be even punchier, there’s a “vivid” color profile in the menu. The detail on the mountain is also impressive: you can easily make out the edge of the glaciers.

Again you can see the vibrant color in the flowers and foliage, this time in an out-of-camera JPEG.

Details, details. At full resolution, you can see the individual cables on the elevator as well as every piece of the platform at the top of the Needle. There isn’t any moiré on the platform, which is nice to see, given that the camera doesn’t have an “optical low pass filter.”

The Summicron-M 35mm f/1.4 ASPH lens has quite a bit of vignetting when wide-open (or close, in this case). While the camera doesn’t offer the ability to correct this automatically, popping the DNG file into your favorite Raw processor will allow you to reduce or eliminate it.

In this photo, there’s a balanced exposure with no blown highlights from the windows. Note the lack of distortion, as well.

Color again impresses, and there’s a nice smooth transition from the sharp foreground to the blurred background.

You can easily make out individual pieces of grass on this somewhat hazy day.

The original image was a little “warm” and the foreground was darker than I would’ve liked. But two easy adjustments to the DNG file in Adobe Camera Raw produced a more realistic image.

The M11 again captured the reds, oranges, and yellows of a beautiful sunset.

The Summicron-M 35mm f/1.4 lens struts its stuff in this photo, with excellent sharpness on the lamp and a smooth roll off to the wall and sign in the background.

It’s easy to find the peeling and bubbling paint in the foreground of this photo.

The original version of this photo had some mild vignetting, which was easy to fix in Adobe Camera Raw. You can see each individual leave on the shrubs both near and far away.

In the original version of this photo, the highlights on the mountain were blown out, dramatically reducing detail. By editing the DNG file I was able to dial back the highlights while boosting the shadows to closely match what I saw with my eyes.

Lastly, the carvings on and above the arch look almost too real in this photo. While it looks like there is some moiré distortion to the left of the doors, it is just the pattern in the concrete.

That’s all for now, stay tuned for our full Leica M11 review, coming soon!

The post Leica M11 sample photos: 60 megapixels sure looks good appeared first on Popular Photography.

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The Ricoh GR IIIx is a pocketable camera with a really impressive 40mm equivalent f/2.8 lens and a capable 24-megapixel APS-C sensor. Image quality is great: the lens is tack sharp all the way across the frame. The camera has built-in image stabilization to reduce camera shake (for stills only), and it works well. The GR IIIx is very small and, as such, controls are a bit cluttered. The LCD is average in terms of size and resolution, and it’s a shame it can’t tilt upward for waist-level shooting.

Negatives are few, though they’re important. The most significant issue we had with the GR IIIx is its battery life: it’s just not good. The movie mode is not impressive but, then again, this camera is not for that market. The only other nice-to-have would be some kind of weather-proofing, but maybe Ricoh is saving that for the GR IIIx Mark II. 

Pros:

• Excellent lens and sensor combination make for great image quality
• Ultra-compact and well-built
• Effective image stabilization
• Snappy performance

Cons:

• Poor battery life
• Lackluster movie mode
• Weather-proofing would have been nice

Hardware & key specs

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The GR IIIx uses the same 24-megapixel APS-C-sized sensor as the GR III. The sensor is stabilized on three axes and can reduce shake by up to 4 stops, according to Ricoh. While it lacks an anti-aliasing (AA) filter, the GR IIIx can simulate having one by shifting its sensor, which helps to reduce moiré, which can be distracting, especially in video.

Key specs:

• Sensor-shift image stabilization
• Built-in ND filter
• 3-inch, 1.04 million-dot touchscreen display
• Wi-Fi and Bluetooth
• 2GB internal memory and SDXC UHS-I card slot
• 200 shots per battery charge

The real highlight of the GR IIIx is its 40mm equivalent f/2.8 lens, which is also what differentiates it from the vanilla GR III, which has a 28mm equivalent lens. The GR IIIx’s lens can get as close to your subject as 4.7 inches. 

The lens doesn’t support screw-on filters, though it has a built-in neutral density (ND) filter, which allows you to use slower shutter speeds or smaller apertures in bright light. An optional teleconverter accessory boosts the equivalent focal length to 75mm. A small optical viewfinder, which attaches via the hot shoe, is another optional accessory.

The camera’s 3-inch LCD has an average size and resolution for a compact camera. Its touchscreen lets you tap to focus, navigate menus, and review photos. Since this is a fixed (non-articulating) display, waist-level shooting isn’t possible. The GR IIIx lacks a built-in flash but there is a hotshoe.

The USB Type-C port is used to transfer images, connect to a display (DisplayPort required), or charge the battery. Ricoh estimates that you can take 200 shots on a single charge, give or take.

What it’s like to use

The GR IIIx’s shooting experience has changed little since its predecessors, which, to its fans, is a good thing. The compact and well-built body is easy to pocket—yes, even in skinny jeans—and shooting one-handed is no problem. The IIIx has the same pill-shaped shutter release buttons as the generations of GR-series models that came before it. The controls on the back of the camera are cluttered, but that’s the tradeoff for keeping the body as small as possible. The mode dial on the top plate has a lock, though it would be nice to have an option for it to rotate freely.

The GR IIIx starts up quickly, which is how the camera functions as a whole. You can flip through photos or the menus as fast as your finger can move. Speaking of menus, they’re pretty extensive for a compact camera and allow for some pretty extensive customization of the GR IIIx. The camera has two control dials as well as the “ADJ” lever, which is used for exposure compensation and shortcuts to up to five settings. 

Composing photos on the LCD outdoors is challenging, but Ricoh came to the rescue with an “outdoor view setting” that lets you quickly adjust screen brightness. Going up by a stop did the job for me.

The location of the video button on the left side of the camera suggests that video is an afterthought on the GR IIIx, and it is. You can capture 1080/60p video, but controls are limited, and the camera is slow when adjusting focus. There is a crop when shooting video, and its electronic shake reduction isn’t the best.

The GR IIIx has both Wi-Fi (2.4Ghz) and Bluetooth built-in. While its app is not well-loved, I had very few issues connecting to and transferring images from the camera.

Image quality

The GR IIIx’s sensor and lens combo make for excellent image quality. Images are very sharp in both the center and the corners, even wide open at f/2.8. A trip to the local tulip fields illustrated the kind of vibrant colors the GR IIIx produces. The camera offers several color (and B&W) modes for getting a little more creative.

The 24-megapixel sensor inside the GR IIIx impresses, with good dynamic range and low noise at higher sensitivities.

Autofocus & operation speed

The GR IIIx focuses quickly, and its hybrid (phase & contrast detection) autofocus system is snappy and accurate. The camera stuck to its subject fairly well when using tracking autofocus. If I didn’t want to wait for the camera to lock focus, I could just mash the shutter release all the way down and the GR IIIx would use a predefined distance, such as 2.5m (a little over 8 feet).

If you want to shoot photos quickly, the GR IIIx is not your camera. It chugs along at 4 frames per second and stops after less than 10 shots if you’re shooting Raw (DNG).

At 200 shots per charge, battery life is pretty lousy. If you’re out for the day, bring a spare or a portable USB-C charger.

Ricoh GR IIIx compared to…

You can count the number of fixed lens large sensor cameras on one hand. Aside from the Rioch GR III with its 28mm lens, the only other camera in this class is the Fujifilm X100V.  The X100V features a 35mm equivalent f/2 lens and an excellent 26-megapixel sensor. It’s a chunkier camera but that makes room for an electronic viewfinder and plenty of dials. Like the GR III series, the X100V has a considerable fanbase and should be considered if you want a more hands-on shooting approach and have a higher budget.

Another option is to buy a compact mirrorless camera and a fast prime lens. One such option is the Fujifilm X-E4 paired with the company’s 28mm f/2.8 lens (equivalent to 41mm). As with the X100V, it’s a thicker camera, but it offers a viewfinder, tilting LCD, and lots of dials. It does, however, lack image stabilization.

A budget option is the Olympus PEN E-PL10 and Panasonic 20mm (40mm equivalent) f/1.7 combination. The E-PL10 has an aging 16-megapixel sensor that is smaller than the one on the GR IIIx, but it’s still a capable camera with a vast selection of lenses.

Additional samples

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